Are there any gay Italians? No. At least, not according to my high-school classmate, Anthony R. One day in class, there was a casual discussion going on amongst myself and some of "the guys." Homosexuality came up during the conversation. By the time you're a senior in an all boy's school, the subject has lost a lot of it's, shall we say, novelty. I forget the specifics (the relative "gayness" of some Italian male person came up); and Anthony said, as he considered this, in all sincerity and with zero guile: "...yeah, but there are no gay Italians." To him, it was as though it was a mathematical proof. A scientific fact. There was no animosity in it. For him, it just was. I went to high school with a lot of Italian boys. Can you spot moi?* Anthony R. is on the bottom row, eleventh from the right.
I bet the one our model is wearing costs a fortune. Let me see if I can find a price...
In 1984 I probably would've dropped $1.64 for it at the Salvation Army in Lynn.
So, what am I getting at here? Well, I'll tell you...
MY BAD MOMENT!
My apologies. That fashion spread is not for Dior but rather for Dolce & Gabanna. Which is interesting because they are an Italian design team based out of Milan and both gents are from Sicily. I don't think you could get more Italian than that (except maybe the gay part; sorry Anthony...).
I couldn't find that exact brooch of theirs; but I think this one is close enough:
Now, my mama always told me that if you didn't have anything nice to say, don't say anything at all. I'm not saying these men were homely. I can't even find a picture of Donald Sterzin, not even on his memorial page. Bruce Weber had been a model himself. Coulianos had a certain swarthy appeal too, I think.
So GQ seems to be aimed at the hedge-fund-douche-bro set nowadays; but I find it truly hard to believe that any of those types of guys would actually wear the fashion stylings the magazine features and is so clearly trying to make happen. The man purse comes to mind. And I'm not talking about mens bags. I'm talking about purses. "Pockabooks" as my mother called them. The most recrent issue even has a spread all about adorning said bags with whimsical charms.
This is the kind of fellah I imagine sustains a magazine like GQ:
Said dainty shoes:
But maybe I'm wrong. I'm recalling the footwear trends for men in the mid 80's, which you can see on the feet of many of my high school classmates:
So what's my problem with GQ, if they are putting forth looks for men that are decidedly androgynous and inclusive?
I don't know...maybe it's because someone like me would've gotten beaten up, possibly if I chose to carry a charm laden ladie's purse as recently as--well--last week, where I live. But now, because a magazine like GQ has given it the stamp of approval, it's okay; because even douche bros, thug boys, macho man movie stars and NFL players are rockin' the look. Yeah, I think that's it. I took a real risk walking around Boston in 1986 wearing a rhinestone brooch in public. But now watch any award show and it's like there was a fire sale at Brooches "R" Us. Even just a couple of years ago, Jim Halpert would've stared down the camera 'til the lens cracked on The Office (if they were still making The Office; but you know what I mean) if any of his male coworkers had worn a brooch. They would've built a whole mocking episode around it. But today?
I guess I see it as a kind of cultural appropriation. GAYPROPRIATION (TM/REG./PAT-PEND/ALL RIGHTS RESERVED) (formerly known as "Gay Trickle Down Fashion"). Remember when gay guys paired construction boots with shorts at risk of their own peril and then a few years later, every construction worker dude in the country looked like this:
And what does any of this have to do with bocce ball you ask?
Well, I'll get into that and more in the next blog.
So, look for Mind Your G's and Q's: The Bocce Effect