Christopher F Reidy
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CFR BLOG PAGE

The thoughts & Musings of Christopher F. Reidy*

NOTE: Apparently this webpage has some glitches. It tends to randomly switch out visual material.  Why?  Don't ask me.  So, if a pic doesn't match the text...it doesn't!  Rest assured I am trying to amend this problem.  When I get around to it.

*(may contain misuse of apostrophes, miss spellings, overabundance of semi-colons,  wrong word usage, etc.
Please pardon our appearance while we create a new blog experience for you!)

​ALSO: 
Please find an in-complete (or if you prefer; "ongoing") index of blog posts on the homepage, for your convenience!

AND YET ANOTHER NOTE:
The visual switcheroos on these blogs have reached a point where there's no way I can correct them all, so I'm just going to leave them be.  If they don't match the text, just think of them as whimsical funsies decorating the text.  I will continue to supply pictures; but I cannot guarantee their context: much like my mind.
Thank you for your patience!

A FURTHER NOTE:
I try to keep this website relatively free of anything truly morally reprehensible or obscene.  However, in the pursuit of honesty; I will be quite frank about sexuality; as I feel one should be.  To  wit: this website is not for children.  It is decidedly "adult"; although not necessarily not "childish."  I do not feel it is suitable, in some instances, for anyone below the age of 17.  Or maybe a very mature 16...or 15 even.  
THIS WEBSITE IS RATED: PG-15

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The Three Dragonflies

7/24/2023

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Note: Contains spoilers for my novel "83 in the Shade."

​I never fancied myself a mystic.  Or particularly spiritual.  I was raised Catholic; so, my religious world-view was initially shaped by that.  But I recall, even as a child, sort of scratching my head at some of the tenets of my religion.  Like, transubstantiation.  So, the Church was telling me, when the bell rings during Communion, that the wafers and the wine are literally changed into the flesh and blood of Christ.  And then we eat and drink it?  Wait, what?  This isn't just symbolic; but literal?  But isn't that cannibalism?  Isn't cannibalism a sin?  And where does this information come from?  It couldn't be...made up...could it?
But neither am I an atheist.  I believe there is something going on.  That is to say; I don't think that "this" is all there is.
Why?  Well, let me tell you about the three dragonflies...
In the late 80's, a good friend of mine died in a car wreck.  She hadn't even made it to her 20's.  Her name was Kelly.  She was in a pick-up truck and the guy driving (I don't know if alcohol was involved) swerved into a phone pole.  The passenger side hit the pole and Kelly must've hit her head in just such a way as to instantly take her life.  He walked away without a scratch.  Needless to say, the next couple of days were a nightmare.  At her funeral mass, the priest spoke and told the story of the dragonfly.  How it starts as little more than a dot at the bottom of a pond, swims towards the light, and emerges from the water as the spectacular insect that it is.  I never forgot that sermon; probably more so because when we arrived at the cemetery and she was being buried, I started to notice dragonflies.
The more I noticed, the more there were.  Dozens of them, swirling and darting over the casket, the grave.  It was one of those two by four moments.  When the "whatever's out there" hits you upside the head with a two by four. I mean, we were no where near a body of water, where these bugs tend hang out.
In my first novel, I transformed this event into one of the plotlines.  An excerpt:

Larry stood next to the grave and began to speak.  In English.
            “I felt like I had to tell this story and I really don’t know why,” he said, glancing down at the grave.  He suddenly got nervous and began shifting from foot to foot. “I remember once Akiva coming to stay with us for a week when he was a little kid.  He must’ve been seven or eight…which would’ve made me about nineteen or twenty…not that it matters.  Anyways, Kiva was always a pretty unusual kid.  He was really into studying insects at the time and I remember he had this little plastic bug zoo and a net and he was always running around catching things and putting them in there.  And everything he caught and put in there didn’t last very long which he couldn’t understand.  What he really wanted was a butterfly and that whole time there wasn’t a single butterfly but he kept trying to catch one.  So one day he comes in the house and shows me his bug zoo and inside it there was a dragonfly.  Now, how he caught a dragonfly is anyone’s guess ‘cuz those things are fast; but he did and it was sitting inside this plastic case.  Its wings were almost touching the sides, so it couldn’t fly if it wanted to, so it just sat there.  He asked me if I thought it was neat, and I had to admit it was pretty neat.  It was wicked cool.  So he said he was going to keep it as a pet.  He asked me if I thought that was a good idea.
I didn’t want to rain on his parade, so I said, ‘Why don’t you ask the dragonfly if he thinks it’s a good idea?’  He looked at the dragonfly, which was just sitting there on the floor of the cage, grounded, and he asked it.  We both looked really close at the dragonfly.  I don’t know if a bug can look sad…but this bug looked really sad.  Kiva looked at me.  ‘But do you know how long it took me to catch him?’ he said.  I nodded.  ‘But Kiva,’ I said, ‘Think about it…this bug started out as a little worm at the bottom of a pond and then crawled up to the light and then went through an entire process where it changed from a formless slug to this beautiful thing with four-inch wings and metallic blue skin and flying skills so crazy that it’s the fastest bug on the planet.  I tapped the top of the box. ‘Try to see the world through his eyes’ I said to him.  ‘Do you really think this is what he wants?  Do you really think it’s what God wants?’”
Larry cleared his throat.  “So, we went out to the backyard and we put the box on the picnic table and Kiva took the lid off of it.  The dragonfly climbed up a stalk of grass that was in there and then he…I swear…he looked right at us like he was thankful and then he flew off.  Flew off straight into the sun until he disappeared.  We watched and then Kiva turned to me and said, ‘You were right Larry.  It was what God wanted.’” 


Actually, the dragonfly motif closed the novel:

Just as I was about to stand, a dragonfly alighted on the tombstone.  It was looking at me.  In fact, watching me.  I raised a finger and moved it back and forth in front of the insect.  It followed the movement with its head.  I slowly reached out with my finger to see if it would, by some chance, perch there.  He tilted his head the other way, in what I can only describe as an attitude of quizzicality.  Then he raised his wings and lowered them in several staccato bursts. I reached out again; and with a blue-green flash he flew into the late August sunshine. 

I mean, I've always loved dragonflies (feared them a bit as a child, as they were supposed to sew your lips together (where did that come from?).  And I was always and still am fascinated that dragonflies were once the size of sea-gulls.
Picture
Holy macaroni!

Actually, I'm rather glad they've downsized.  Science still isn't really sure why they were so big.
So, fast forward to five or so years ago.  We park our cars in a little cul de sac at the end of our driveway in front of the garage.  One of the cars is black and very reflective.  One day, some dragonflies showed up.  Three of them.  They would hang out near the cars and do dragonfly stuff.  Again, nowhere near a body of water.  My thought was that perhaps they mistook the shiny surface of the black car as a pond or stream.  And every summer they'd show up again.  Usually three of them.  Sometime two; but at least one.  And they were always the same species: The Blue Dasher or pachydiplax longipennis (that's what she said!).
Picture
So, this is where it gets really interesting.
A few years ago, as I was in the driveway and the trio were flitting about, I wondered if I could get one to land on my finger, like in the close of the book.  I put out both arms with my index finger extended.  They would come near, hover and observe. I mean, you could watch them watching, looking.  Their little heads can turn!  So, I kept doing this and then one day, one of them landed on my finger tip.  It stayed a few seconds and then flew off.  Then it would return and stay a little longer.  I mean, I don't know if it was one or all of them: they're identical.  But the more I did it, the quicker they'd land and the longer they'd stay.  
Then, they started sitting for like, minutes at a time.  I'd put my finger right up to my face and talk to them and they'd sit there and listen.  It reached a point where they'd let me touch their wings.  In fact, two have shown up this summer and within a half hour I had one on my finger and was talking to it.  I had to shake my finger to get it to fly off.
Why?
Why though?
What's in it for them?  For the life of me, I can't figure it out.  They're actually putting themselves in danger.  I could easily clamp my hand over one of them and destroy it (not that I ever would; but I could).  Certainly they must know that; I mean, as much as an insect can "know" something.  Or is that human ego talking.  Why do I assume a dragonfly knows little if anything other than it's instincts.  But you would think instinct would keep it from putting itself in such unnecessary danger.  Right?
Or maybe it knows more than any human.  Me.  Stormy Daniels. Einstein. Prince Harry. Marie Curie.  I mean, they've managed to be here for MILLIONS of years.  We've only been here a few thousand.
Maybe he's trying to tell me something.
There's a plethora of myth surrounding these creatures.  They're messengers from the other realm.  They are departed love ones coming to visit you...
Now that's a lovely thought.
The top picture is one of them on yours truly's finger.
​
​CFR 7/26/23
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Seinfeld Script: Wanna Read Mine?

7/21/2023

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So, I wrote this Seinfeld script and buried it in another blog.  Way to bury the lead, Chris.  So, in case you missed it; here it is again, without the visual.  It was originally in my blog: Pandora Spocks(es).  Enjoy!

Disclaimer: I have not created these characters and do not own the rights.  This is fan-fiction writing for non-profit (duh).

SEINFELD


"The Peekers"
Written by
Christopher F. Reidy & J.R. Butts
INT. MEN'S REST ROOM AT PENDANT PUBLISHING -DAY
George enters the rest-room.  There are three urinals.  The first and third are taken by two men in suits.  George, also in a suit, takes the middle urinal.  He begins his business and looks up at the ceiling.  Then down.  Then quickly to his left.  He looks up again.  Looks down again and then quickly to his right.  The man on his right is CHARLIE SHERMAN, late 30's/early 40's.  He turns his head to the left and George quickly stares up at the ceiling again.
CHARLIE
George?  Is that Georgie Costanza?
GEORGE
Yeah...oh, hey...it's Charlie, right...Charlie...?
CHARLIE
Sherman!  Hey George it's good to see you!
GEORGE
Yeah, Charlie...you too.  I'd shake your hand but; well...my hand is currently unavailable.
CHARLIE
(Laughs) So, what brings you back to Pendant?
GEORGE
Well, you know, baseball is great and all; but I really missed the fast paced world of publishing.
CHARLIE
Couldn't do anything else.
GEORGE
I hear you.  I mean it's the words, right?  All those words!  Just love the words!
CHARLIE
And the pages!
GEORGE
Don't even get me started on the pages!  Oh boy: THE PAGES!
The man at the first urinal zips up, flushes and leaves.
GEORGE
Did he wash his hands?  He didn't wash his hands!  Who does that?!!?
CHARLIE
Yeah, that guy.  And he always wants to shake hands whenever he sees you.
Charlies zips up as does George and they both go to the sink and wash their hands.
CHARLIE
I'll tell you one thing Georgie...cleanliness is next to Godliness...
GEORGE
Yeah, yeah it sure is...
George watches in stunned disbelief as Charlie removes his suit jacket, tie and shirt and proceeds to wash his armpits; which he then dries with the hand-blowdryer.
CUT TO:
INT.  MONK'S CAFE  -NIGHT
JERRY
He dried his underarms with the blow-dryer? I don't believe what I'm hearing!
GEORGE
That's the part you find strange?
JERRY
Unbelievable!
GEORGE
Well, believe it...(stirring some milk into his coffee)...Jerry, can I tell you something?
JERRY
Sure. What?
GEORGE
I peeked...
JERRY
I know George.  It happened in high school.
GEORGE
I'm not saying "peaked": P-E-A-K; I'm saying "peeked": P-E-E-K; as in "peek-a-boo."
JERRY
"Peeked"?  What did you peek at?
GEORGE
You know...
JERRY
No! I'm afraid I don't!


GEORGE
So, you've never peeked at another guys...you know...when you were at the urinal?
JERRY
No!  Those things have partitions.  Besides the rule is, you leave the one between you empty.
GEORGE
Sometimes those things don't have partitions and sometimes there are NO empties!
JERRY
Well, then I'll use a stall or I'll wait.
GEORGE
Well, whatever.  But you're telling me you never peeked?  Not once; ever in your life?
JERRY
...no...
GEORGE
You're telling me you never even inadvertently glanced?  A side-eye?  Your curiosity never got the better of you and you peeked because you wanted to know how you...size up...in the pecking order?
(George is unaware that Elaine has entered the cafe and is standing behind him, taking her coat off)
ELAINE
​Did you just say "pecker"​?
(She slides into the booth next to George)
GEORGE
No. I said "pecking."
ELAINE
"Pecking" like a chicken?
GEORGE
More like a "woodpecker."
ELAINE
I love woodpeckers!  They're my favorite bird!
JERRY
Really?  I would've thought maybe an oriole for you.  Or a parakeet.
GEORGE
How about a mockingbird?  Or a raven maybe?
ELAINE
Nope.  Woodpeckers. And speaking of pecking, I'm starving. I'm peckish! I think I'll have an unsalad.
​JERRY
What's an "unsalad."
ELAINE
It's a diet thing.  I'm watching my weight.
JERRY
But what is it?
ELAINE
​Oh, well, it's a salad without the greens.  Just the dressing and the crackers.  It's really tasty!
GEORGE
So, you just dip the crackers into the dressing? (Elaine nods)  And this helps you lose weight? (She nods again) Okay.  Hey, listen, Elaine...have you ever peeked?
​ELAINE
Do you mean like..."peek-a-boo"?
​GEORGE
​Like peeked at another woman's (he looks down)...you know...when you're in the bathroom somewhere?
ELAINE
What? No!
GEORGE
Oh really?
ELAINE
Even if I wanted to do that George; ladies rooms have stalls. 
JERRY
Yeah George. It's not like a prison with the toilet in the middle of the room!
GEORGE
What about the locker room at the gym?  Huh?  What about that?
ELAINE
Oh well that's different.  That's not peeking; that's just looking.  So, you're saying you peek at other guys (she looks down)...you know...when you're in the bathroom?  How?
GEORGE
When you're at the urinal.  ALL guys do it.
ELAINE
Have you ever done it Jerry?
JERRY
Fine.  Yes.  ​Out of curiosity. It's kind of a guy thing.
​ELAINE
When was the last time you peeked?
JERRY
I don't know...a month ago?
ELAINE
How about you George?
GEORGE
Today.
ELAINE
At Pendant?  Who?  Who did you peek at?  Do I know him?
GEORGE
Charlie Sherman.
ELAINE
Charlie Sherman?!?  I do know him!  He's cute.
GEORGE
That's not all he is--
ELAINE
What?  Is he someone you'd want to get a peek of?
GEORGE
Is he ever.
JERRY
You mean...?
GEORGE
Oh, I mean it.
ELAINE
So, Charlie is like...gifted...in that department?
GEORGE
And wrapped!  The biggest peek I've ever peeked!
ELAINE
I've never seen one that was "wrapped."  I want a peek!  How can I get a peek?
JERRY
You've never seen one that was wrapped?
ELAINE
No, well, I'm not sure...by the time I see them, it's hard to tell.  Now I really want a peek!
JERRY
Have you gone off the deep end?
ELAINE
It's curiosity Jerry.  It's CURIOSITY!
JERRY
What are you?  A cat?
GEORGE
This guy is in that bathroom like clockwork: four fifteen, every day, on the dot.
JERRY
What?  Elaine's gonna go down to the Pendant Publishing men's room and use the urinal?
ELAINE
Why not?
JERRY
You really are insane.  Well, first, and I'm sure not least, it's illegal!
ELAINE
Says who?
GEORGE
​Is it?
JERRY
Pretty sure.
ELAINE
But not one hundred percent?
Jerry stands. 
GEORGE
Where are you going?
JERRY
Well, with all this talk of bathrooms; now I gotta go.  Would you two like to come and have a peek.
GEORGE
Seen it.  No thanks.  
ELAINE
Me too.  Pass.  I only have eyes for Charlie Sherman.
GEORGE
And you sir, are no Charlie Sherman. 
JERRY
Oh my God!  Crazy people.  I'm eating with crazy people...
CUT TO:
INT. JERRY'S APARTMENT -NIGHT
Jerry, George and Elaine enter the apartment where Kramer is on the couch, munching on crackers. He dips them into a bowl of dressing as he watches the TV.
KRAMER
Hey kids!
JERRY
What are you doing here?
KRAMER
My set's on the fritz and I didn't want to miss Matlock.
JERRY
God forbid.
GEORGE
(Leaning over Kramer's shoulder)  You having one of those unsalads?
KRAMER
Mmmm! So tasty!
ELAINE(Sitting next to Kramer) Say, Kramer, have you ever peeked at a urinal?
KRAMER
Not for a long time.
ELAINE
Why?
KRAMER
Don't need to.  I know exactly where I fall in the pecking order.
GEORGE
And where is that?
KRAMER
The eighty-ninth percentile, give or take.
JERRY
I'm not even going to ask.  So Kramer, get this: Elaine wants to go to the men's room at Pendant Publishing and peek at some guys "woodpecker."
KRAMER
Whose?
JERRY
Does it matter?

KRAMER
And how do you propose to do this Elaine?
ELAINE
I suppose I'd have to don a disguise!  Jerry can I borrow your suit?
JERRY
No.
ELAINE
George?
GEORGE
Are you kidding?  In one of my suits, you'd look the guy from The Talking Heads.
KRAMER
Elaine, I have a friend who can help.
ELAINE
How?
KRAMER
She's a "drag king."
JERRY
What's that?
KRAMER
Well, we've all heard of men who enjoy wearing the clothing of the female sex.  Often for entertainment purposes; but also, as a sort of hobby.  In the parlance, these men are often referred to as "drag queens," although some may prefer "female impersonator" or "female illusionist."
GEORGE
Well, who doesn't know that?
KRAMER
The "drag king" is usually a woman who puts on the traditional clothing of the male.  Which is what my friend Marissa Manoogian does.
JERRY
And what does she do when she's doing this?
KRAMER
She actually does stand-up Jerry and she's really good.  You better watch out!  Her stage name is "Myron."
GEORGE
Myron Manoogian!  As a matter of fact; Charlie Sherman was raving about him the other day.
ELAINE
Her.
JERRY
Never heard of him.
KRAMER
Her.
ELAINE
Do you think Myron could give me some pointers?
KRAMER
Marissa--
ELAINE
Do you think Marissa could give me some pointers?
KRAMER
Actually, I'm having dinner with her tomorrow night.  Why don't you come and ask her?
ELAINE
Okay, that'd be great.  Well, boys...or should I say "kings"?  I've gotta get going.
KRAMER
I'll walk you out.  This Matlock is a repeat.
(They say so long and leave.  Jerry sits and tries the "unsalad")
JERRY
This really is pretty good!
GEORGE
Let me try. (He sits, dips, nods in agreement). It really is!  But how do you lose weight?
JERRY
Well, look at how small these crackers are.
GEORGE
Oh yeah.
JERRY
Can you help me out tomorrow?  I've gotta find a present for Elaine's birthday, which is coming up fast.
GEORGE
Sure Jerry. (Dips and eats another cracker)  Unsalad.  Who knew?  So delicious!
JERRY
And slimming!
(They continue to eat)
FADE OUT

​ACT 2
​INT. MARISSA MANOOGIAN'S LOFT  -DAY
MARISSA MANOOGIAN, 40s, is a petite, round faced woman with a very New Yawk, yet jovial attitude.  She is wearing a rather feminine outfit of a skirt, sweater and knee-high boots.  Kramer sits in a chair and watches as Marissa pulls some men's clothing from a rack and presents several selections to Elaine, who is the process of putting her hair under a cap in front of a mirror.
MARISSA
How about the houndstooth?
ELAINE
I think it's a little...bold.
KRAMER
Marissa, we don't want her to be too conspicuous.  We want her to blend in...may I use your phone?
MARISSA
Sure Cosmo.
Kramer picks up the phone.  CUT TO a shot of his answering machine in his apartment.  We hear Kramer's voice after the machine's BEEP:
"Hello, you have reached Cosmo Kramer.  As I am unavailable at the moment, I would invite you to leave a recorded message after the tone..."  CUT back to Kramer as he punches in the code.  Then we hear Jerry's voice: "Hey Kramer, give me a call when you get this: I need some information about woodpeckers..."
CUT back to Marissa's loft:
KRAMER
Oooh...woodpeckers...
ELAINE
Did you just say "pecker"?
KRAMER
Elaine, never mind about me.  You need to concentrate on your inner king.
ELAINE
You're right.
KRAMER
I usually am...

Kramer dials Jerry's number as he moves out of earshot of Elaine and Marissa.
CUT TO:
Jerry's apartment.  Jerry and George are watching a game on TV.  The phone rings and Jerry answers it.
JERRY
Hello?
KRAMER
Hi, Jerry, it's Kramer.  So you want to pick my mind about woodpeckers?
JERRY
Yeah so, we learned recently that Elaine's favorite bird is the woodpecker--
KRAMER
What kind?
JERRY
I don't know...she didn't say.  Are there different kinds?
KRAMER
Yes!  There are two-hundred plus species in the world and at least sixteen different types in North America!
JERRY
I don't know....something that looks like Woody Woodpecker, I guess.
KRAMER
Well, now you're talking the "pileated" or the "ivory billed."
JERRY
Fine.  The last one.
KRAMER
Well, that one has more than likely gone extinct.  There hasn't been an Ivory bill spotting since the early Forties!
JERRY
Then the other one!
KRAMER
Well Jerry keeping one as a pet isn't such a good idea.  And Elaine has all that beautiful wood molding at her place. He'd wreck it.  Besides it's against the law.
JERRY
I didn't say I wanted a live one.  A statue maybe.  Or a stuffed one...
KRAMER
As in a mounted taxidermic specimen?
JERRY
Yeah, I suppose, as long as it wasn't shedding or anything.
KRAMER
It's called "molting."
JERRY
Kramer, can you help me or not?
KRAMER
Well, as a matter of fact, I know a retired ornithologist from Columbia, who may very well have exactly what you're looking for.  He lives out on Roosevelt Island.  Let me give you his number and address...
Jerry grabs a pen and writes.
JERRY
Great, thanks Kramer.  You're a pal! (He hangs up).  That Kramer is a real mensch!  Come on George; go splash some water on your face...
GEORGE
Why?
JERRY
We're going to Roosevelt Island!  We've got a man to see about a picking out a pickled pecker!


CUT TO:
INT. ROOSEVELT ISLAND SKY-TRAM -DAY
Jerry and George are practically the only two people on the tram.  They're standing, looking out the window.
GEORGE
Ya know, I've never been on this thing before.
JERRY
You've never been on the Roosevelt Island tram before?
GEORGE
No, why would I be going to Roosevelt Island?  Ever?
JERRY
I don't know...sightseeing?  I believe there are several sights to see.
GEORGE
Like what?
JERRY
I don't know, I've never been to Roosevelt Island before.
GEORGE
Then why did you say it like you had?
JERRY
Had what?
GEORGE
Been to Roosevelt Island!
Jerry shrugs.  As the tram passes one of the support pylons, it bumps a little.
GEORGE
What was that?
JERRY
A little turbulence.  It's windy up here.
GEROGE
I'll say.  And we're so high up.  How high up do you suppose we are?
JERRY
A couple a hundred feet maybe?  Like twenty stories or so?
GEORGE
(Throws his arms around Jerry) I hate heights!  Get me off of this thing!
JERRY
How can you live in New York City and hate heights?
GEORGE
I live in Queens Jerry.  There's nothing there higher than three stories!
JERRY
Calm down.  We're almost there.
George begins to hyperventilate.  He points up at an open window.
GEORGE
Why is that window open Jerry?  Why would this thing have windows that can open?  Why?  WHY?!!?
CUT TO:
INT. PROFESSOR NUTALL'S APARTMENT -DAY
PROFESSOR MERIAM NUTALL, Late 70s, crosses the living room of his cramped apartment as he goes to answer the door. The room is covered nearly floor to ceiling with antique prints of birds and taxidermic specimens of birds. He adjusts his glasses and looks through the peep-hole.
PROF. NUTALL
Who is it?
JERRY
(O/S) It's Jerry Seinfeld Professor Nutall and my friend George.  We spoke on the phone--
PROF. NUTALL
Oh yes!  We spoke at length about the family Picidae; in particular "dryocopus pileatus"! (He opens the door)
JERRY
Yes Sir.  At looooooonnnnnggggg length.


PROF. NUTALL (Moves his face close to Jerry's)
Please come in!
GEORGE (To Jerry, under his breath)
Oh boy, we've got a close talker here.
PROF. NUTALL
Good looking young man, if I do say so!
JERRY
Oh, ah, thank you, Sir.
PROF. NUTALL
(Moving in too close on George)  A most agreeable countenance!
GEORGE
​Ah, thank you Professor, Sir.
PROF. NUTALL
Please, call me Meriam.
JERRY
"Miriam"?
PROF. NUTALL
Meeriam...
GEORGE
Like the dictionary?
PROF. NUTALL
Precisely.  And I must apologize if I'm "getting in your face" as they say; but I've misplaced my bifocals and I can't see a thing.
JERRY
Would you like us to help you look for them?
PROF. NUTALL
Oh, thank you, but no.  I think I left them at a restaurant on the mainland.
JERRY
Oh, I see...
PROF. NUTALL
​Well, I don't! (He laughs)  Do you think I could do stand-up Mr. Seinfeld?
JERRY
I don't know...maybe?
PROF. NUTALL
The world of ornithology can be quite amusing!
GEORGE
Yeah, just look at Donald Duck.  He doesn't wear pants.  Hilarious!
JERRY
What about Tweety Bird?  We can't forget Tweety Bird.
PROF. NUTALL
Oh yes, that most delightfully mischievous Serinus Canaria! (Moving towards a table covered with different taxidermy woodpeckers)  Well, here they are.  And you were interested in a specimen of the pileated variety?
JERRY
Yes, ah, Meriam.
PROF. NUTALL
(Picks up a large, red-crested woodpecker) Did you know that a woodpecker can peck some twenty times a second; with a force of up to fourteen-hundred g's?
JERRY
Actually, you did mention it, on the phone...
PROF. NUTALL
Did I tell you how they avoid concussing their brains?
JERRY
​Well, Meriam--
PROF. NUTALL
It's fascinating!  Their skulls, you see, are designed in such a way...
FADE OUT
FADE IN
Jerry and George are on a small sofa.  Prof. Nutall is still talking about birds. Jerry is doing everything he can to keep his eyes open.  George, who has drifted off, SNORTS and startles himself.
GEORGE
Who!  What!  Where!??! 
PROF. NUTALL
What?
JERRY
(Seizing opportunity)  Well, Meriam, we've gotta get going or we're going to miss this birthday party.  So, we said fifty bucks for the bird, right?
PROF. NUTALL
Yes, yes that is the sum I believe we agreed on.
JERRY
(Thrusts cash into Prof. Nutall's  hand and grabs the bird and chucks it in a shopping bag he brought)  Well thank you so much Professor--
PROF. NUTALL
Meriam!
JERRY
Yeah, whatever.  Come on George! (He's out the door)
GEORGE
Well, thank you Miriam.  That was most enlightening.
PROF. NUTALL
Meriam!
GEORGE
Yeah, whatever.  G'bye!

CUT TO:
INT. JERRY'S APT. -DAY
Jerry and George enter the apartment. There are racks of men's clothing everywhere. Kramer, Marissa Manoogian (now dressed as a "King") and NEWMAN are seated, watching the TV.  Newman turns from the sofa and looks at Jerry.
JERRY
Hello Newman...
NEWMAN
Hello Jerry...
JERRY
Is this my apartment or Penn Station?  What's going on?
KRAMER
King Elaine is about to make his debut and my place wasn't big enough for all the accoutrements.  Did you get the...WP?
JERRY
(Holds up shopping bag) Right here! 
ELAINE 
(Calling out from bathroom O/S) Okay, I think I'm ready...
MARISSA
(In a masculine voice) Okay Elaine...(She leaps up and stands near the table).
The bathroom door opens and Elaine comes out.  She's quite convincingly dressed as a man, in a beautifully tailored classic business suit.  She also has a mustache and a gentleman's haircut.  The "illusion" is quite convincing.
ELAINE
(In her own voice)  Well, whadaya think?
MARISSA
Out door voice Elaine; outdoor voice.
ELAINE
(Dropping her voice) Well, come on...could I pass?
GEORGE
I don't believe it!
JERRY
I gotta say...wow...
NEWMAN
It's uncanny!
KRAMER
KISMET!!!
ELAINE
I gotta say...I feel very...empowered!
MARISSA
Walk the walk, dude...
Elaine walks across the floor, very much like a woman would.
MARISSA
Elaine, we talked about this.  You've gotta lead with the beans.
ELAINE
Oh right!  "Lead with the beans."
Elaine takes a moment, slicks her hair and adjusts her crotch. She then proceeds to "lead with the beans."

 JERRY
(To Elaine)  You know, having dated you, I'm feeling very confused right now.
ELAINE
​(Sidling seductively up to Jerry) Are you man enough to handle my inner-man?
JERRY
Back away Elaine: I may not be responsible for my actions.
ELAINE
That could be taken two ways, Jer.
JERRY
​Apparently so could you.
MARISSA
Okay Elaine, keep practicing.
ELAINE
This is as good as it's gonna get.  We have to leave soon to be at that urinal by four fifteen.  Will you come with us?
MARISSA
Ah, no thanks...I sort of draw the line at urinals. (She starts for the door) Good luck...
KRAMER
Marissa, I'd like you to meet my dear friends Jerry Seinfeld and George Costanza.
(Greetings are exchanged)
GEORGE
Nice to meet you Marissa.
MARISSA
I prefer "Myron" when I'm "working."
GEORGE
Oh, yeah, sorry Myron.  I've heard a lot of rave reviews at work.  This guy Charlie Sherman is a big fan!
MARISSA
(To Elaine) Isn't that the guy you're going to...see?  (Elaine nods excitedly as she continues practicing her "male" gestures)  Nice meeting you all.  (To Jerry) Who are you again?
JERRY
Well, I prefer Jerry, when I'm "working."
Marissa looks at him with a puzzled tilt of the head and leaves.  Kramer goes to the kitchen counter with the shopping bag.
KRAMER
Well, so what did you two think of Merry-am?
JERRY
"Merry-am"?  You mean, Meereeam?
KRAMER
No. "Meriam"; like the dictionary.
GEORGE
I thought he was a bird-brain.
KRAMER
Now that's cruel George.  The man is a giant in his field.  He nearly single-handedly brought back the kiwi!
JERRY
The fruit?
GEORGE
I just meant that he has birds on the brain.
NEWMAN
So Elaine, what's going to be your nom de king?
ELAINE
Art Vandelay.
GEORGE
That sounds familiar.  Why do I know that name?
Kramer looks in the shopping bag and does a double take.  His face contorts in shock and confusion.
KRAMER
Jerry...could I see you out in the hall for a moment?
JERRY
What?
KRAMER
Now, Jerry--
ELAINE
Hurry up Kramer.  It's peak peeking time!
CUT TO:
INT. THE HALLWAY -DAY
Jerry pulls the door to his apartment closed as Kramer lifts the woodpecker from the bag.
KRAMER
What is this?!!?
JERRY
It's a woodpecker.
KRAMER
Do you know what kind?
JERRY
Yeah, the one you told me to get: the pixelated one...
KRAMER
The 'pileated'!  This is an ivory-billed specimen!
JERRY
Yeah, so?
KRAMER
Jerry, this is worth thousands of dollars. Perhaps even priceless!  Muhhrium would never part with it!
JERRY
For fifty bucks he would--
KRAMER
We've got to get this back to him!
JERRY
Now?
KRAMER
Yes now!  This man's reputation is on the line!  No ornithologist worth his SALT would knowingly let this slip from his grasp!  And I will not be responsible for sullying that reputation!

​CUT TO:
INT. JERRY'S APT. -DAY
Jerry and Kramer come back in.  Elaine is doing some final touches on her hair in a mirror.
JERRY
You didn't cut your hair for this, did you?
ELAINE
No.  It's a wig over a cap and it itches like crazy!
JERRY
Key word here is "crazy."
ELAINE
Are you ready Kramer?
KRAMER
Sorry Elaine, something's come up...
ELAINE
But we need you for urinal blocking!
KRAMER
I'm sorry; but this is an emergency.  Take Newman.
NEWMAN
Hey, wait a minute!  You can't just volunteer my urinal blocking services!
KRAMER
You owe me several favors and I reserve the right to call one in!
NEWMAN
Well...so...what can you bring to the table Elaine?
ELAINE
There's a Fanny Farmer gift card in my purse with eleven dollars and thirty-nine cents on it.
NEWMAN
​Fanny Farmer...love those Minty Meltaways...it's a deal.
ELAINE
Well, go put on a suit and hurry up about it.
KRAMER
Outdoor voice Elaine.
ELAINE
(Deep commanding voice) Get off your ass and get dressed.
Newman leaps up and runs out of the apartment.
GEORGE
I gotta be honest.  I'm a little turned on.
CUT TO:
EXT. ROOSEVELT ISLAND TRAM TERMINAL -DAY
Jerry and Kramer are standing in a small crowd, waiting for the tram.  Kramer is holding the shopping bag.
JERRY
Say, Kramer...
KRAMER
Yes?
JERRY
How do you know Marissa?
KRAMER
Well, we met when we were both doing extra work on All My Children.
JERRY
I meant more like...how do you know her...​
KRAMER
Oh.  Well.  Jerry...as you know...I never kiss and tell.

JERRY
Well, I'm not asking for a tell all...I mean, I've never seen Marissa; but Myron is a good looking...fellah...I'm just curious...
KRAMER
Then maybe you should ask Myron...(Jerry raises his eyebrow)...or Marissa...(Jerry is nonplussed)...the tram is arriving.
The tram pulls into the station and the crowd starts pushing on to it.
JERRY
Come on Kramer...
KRAMER
My shoe came untied...(Kramer rests the shopping bag on top of the tram and crouches and ties his shoe).
JERRY
(Leaning out the door) Kramer, get in here!  You're gonna miss the ride! (He grabs Kramer by his overcoat and pulls him on to the tram.  The door closes and Kramer's coat gets caught).
CUT TO:
INT. -SKY TRAM -DAY
Kramer is stuck to the door by his coat.
KRAMER
Jerry...the bird!  I left the bird on top of the tram!
JERRY
Well, I guess we can kiss fifty bucks good-bye.
KRAMER
I can get it!  Those windows are open! (He points up at the open transom style window. He starts squirming out of his coat)
JERRY
You can't be serious...
KRAMER
Oh, I am!  I can get through that window and on to the roof!
JERRY
Kramer, it's dangerous.  You could be killed!
KRAMER
I came in third at Brooklyn Boulders '97 Wall Climb competition.
JERRY
Third?  That doesn't instill a lot of confidence.
KRAMER
Just move below the windows, give me a boost, and I'll take it from there.
Jerry shakes his head, sighs and pushes through the crowded tram.
CUT TO:
INT. PENDANT PUBLISHING MEN'S ROOM -DAY
We see the three urinals and the two stalls and the row of three sinks.  We see the feet of a BUSINESS MAN in the stall. George, Elaine (dressed as a "king" of course) and Newman in his best postal outfit, file in.  They walk slowly to the urinal area and mill around.  George keeps craning his neck downwards and the three speak in really bad stage whispers.  Also, Elaine keeps forgetting her "indoor voice" and reverts to her own.
ELAINE
What are you looking at?
GEORGE
(Pointing)  There's someone in the stall!
BUSINESS MAN
Is somebody out there?
ELAINE
(Uncertain)  Ah, yes, my good man...we three men are...peeing...here at the urinal area...
BUSINESS MAN
Terrific...ah, do you think one of you could get me some TP?  There's none in here.
ELAINE
Sure, Sir.  Happy to oblige! (To Newman) You do it!
NEWMAN
Why me?
GEORGE
You deliver things!  You're the obvious choice!
ELAINE
And why are you in your uniform?  I told you to wear a suit!
NEWMAN
I brought it to the dry cleaners three years ago...
ELAINE
Three years ago?
NEWMAN
I forgot.
GEORGE
Oh, that suit is long gone.
ELAINE
Yeah, you can just say "good-bye" to that suit.
GEORGE
Blow that suit a kiss, buddy-boy.
BUSINESS MAN
(Coughs) Ahem!
Newman tippy-pats to the other stall, gets some tissue paper and reemerges.
NEWMAN
(Tossing the toilet paper into the air) Incoming!
We hear scuffling, grunting, huffing and puffing come from the stall.  And then finally a very loud FLUSH.  The Business Man emerges.  He has a sheepish look on his face.  He also has a long train of toilet paper he is unaware of.  Also some stuck in his hair.
BUSINESS MAN
Thanks.  But you coulda just handed it to me under the stall door. 
He goes to the sink and George continues to crane his neck.
ELAINE
What are you doing?
GEORGE
I want to make sure he washes his hands...
ELAINE
Why?
GEORGE
In case I ever have to shake his hand, that's why.
The Business Man washes his hands and leaves.
GEORGE
Thank God!  What time is it?
NEWMAN
It's ten past four.
ELAINE
What are we going to do for five minutes?  What if someone else comes in?
Sure enough, the door opens and a 2ND BUSINESS MAN comes in and heads for the urinals.  Newman, Elaine and George (in that order) dash to the urinals and mime...what one does at a urinal.  The 2ND BUSINESS MAN shakes his head and goes into one of the stalls.

Elaine begins to squirm, as she's somewhat trapped by the bulk of Newman and George on either side of her.
ELAINE
(Sounding rather like Moe from The Three Stooges) Spread out a little! (She starts elbowing Newman)
NEWMAN
Hey!  Watch it, you're making me sprinkle!
ELAINE
Are you actually peeing?  You're supposed to be pretending! 
NEWMAN
I had to go!
ELAINE
Oh my God!  Don't you dare sprinkle on me! (She inadvertently looks down) Oh, hell no!
GEORGE
What?
ELAINE
I peeked.  Oh God!  I peeked at Newman. (Closes her eyes) George, please tell me you're pretending!
GEORGE
I'm pretending!  Pretending this isn't happening...Ssssshhhh!
The 2nd Business Man comes out of the stall and gives the trio a concerned glance as he goes to the sink.  George follows him.
ELAINE 
Where are you going?
GEORGE
I'm making sure he washes his hands!
ELAINE
Come back here!
George follows the 2nd Business man who doesn't wash his hands.  
GEORGE
Unbelievable!
A 3RD BUSINESS MAN enters and makes a bee-line for the urinal that George vacated.  Elaine starts nudging Newman.
NEWMAN
What?
ELAINE
You've got to move!  
She elbows Newman who yelps and then goes into a stall.  Elaine moves to the first urinal, leaving the middle one empty.  The 3rd Business Man seems oblivious.  George now takes the middle urinal as the bathroom door opens and Charlie Sherman enters.  He takes the urinal that the 3rd Business man now vacates; thus thwarting Elaine's Prime Peak.
CHARLIE
Oh, hey Georgie!
GEORGE
Hey Charlie...
CHARLIE
How's it going?
GEORGE
Just finishing up here.  Really had to go!
CHARLIE
​I hear ya...(noticing Elaine who is now looking up at the ceiling) Pardon me, but aren't you Myron Manoogian, the comic?
ELAINE
Are you talking to me?
CHARLIE
You are Myron Manoogian!  I'd recognize that voice anywhere. I'm a huge fan! (He reaches in front of George's face, extending a hand; which Elaine reluctantly shakes)
ELAINE
I think you've mistaken me for someone else.  I'm Art Vandelay.
CHARLIE
(To George) What a kidder!  Didn't I tell you this guy was fantastic?
GEORGE
I'll let you two get better acquainted.
George dashes to the sink and starts furiously washing his hands.  A 4TH BUSINESS MAN enters and takes the middle urinal; again thwarting Elaine.  Charlie flushes and goes to the sink.  Elaine finally throws in the towel and goes to the sink.
CHARLIE
I love the bit you do about the old lady in the delicatessen with her toy poodle.  Could you do that bit for me?
GEORGE
Yeah, come on Myron...do the bit.
Charlie takes off his suit jacket, then his tie.
CHARLIE
Oh, do you know each other?
GEORGE
Sure, sure...say, how did we meet anyways Myron?
ELAINE
​When we were, ah, both, uhhm...stockboys! In Bloomingdale's brassierre department.  Summer of '77!  Good times!  Yeah, so...the poodle bit...(Doing a sort of Rodney Dangerfield thing)  So, there was this old lady...and she had a toy poodle...
(Charlie takes off his shirt and starts washing his armpits.  Elaine's eyes widen) And so, she's goes into the deli and she wants to...she wants to...
The camera does a series of close ZOOMS, cutting between Elaine's incredulous eyes and Charlie's prodigiously hairy back.
​CUT TO:
INT. ROOSEVELT SKY TRAM -DAY
Jerry crouches down and clasps his hands together to give Kramer a boost.
JERRY
I can't believe I'm doing this.  Oh, wait.  I can believe I'm doing this.
He hoists Kramer who clasps the widow sill and starts wriggling through the tight opening.
CUT TO:
​EXT. SKY TRAM -DAY
We see Kramer come through the window.  He hangs on to the sill with one hand as he tries to find a foothold.  The woodpecker is in the shopping bag, right where Kramer left it.  The camera ZOOMS in on the face of a shocked COMMUTER WOMAN as she points out the window.
CUT TO:
INT. SKY TRAM -DAY
Everyone is pressed against the windows, watching Kramer as he nonchalantly starts clambering up to the roof.  Jerry detaches himself from the commotion, trying to be nonchalant himself.
COMMUTER WOMAN
He's going to jump!  Conducter...STOP THIS TRAM!
CUT TO:
EXT. SKY TRAM -DAY
The tram comes to an abrupt halt, twenty stories over the East River.  Kramer, who now has the shopping bag in his hand, loses his footing with the jolt of the tram and falls over the side.  Fortunately, his pants catch on a metal latch.  The wind starts rocking the tram and Kramer bangs against the window.  His underwear has also been hung on the latch and with each bang Kramer proceeds to get a wedgie.  He removes his belt and loops it through an O ring.  His pants fall off and are taken by the wind.  CLOSE on Kramer's underwear, which is starting to split.
KRAMER
Uhh-oh!
CUT TO:
INT. PENDANT PUBLISHING MEN'S ROOM -DAY
Charlie is finishing up his ablutions.  Elaine has loosened her tie.  She's covered in sweat and her wig is slipping.
CHARLIE
No, that's not how it goes.  The poodle ends up in the potato salad and the old lady says--
ELAINE
I can't take it anymore!
CHARLIE
No, that's not it--
ELAINE
​(Freaking out) SASQUATCH!  SO ITCHY! IT'S SO ITCHY! OOOH DO I ITCH!!! (She starts scratching at her wig) SASQUATCH! (She SCREAMS and rushes out of the bathroom. We hear her voice receding as she runs down the hall) SASSSSSSSSSSQUAAAAATCH!
CHARLIE
What's his problem?
GEORGE
He can only take being in a bathroom for so long.  He has...ahh...tile-a-phobia...
CHARLIE
So, why is he yelling "Sasquatch"? (he goes to the blower and starts drying his underarms).
GEORGE
Oh, yeah...well, you know...(looks around) It's a brand of tile...
NEWMAN
(LOUDLY O/S)  Could somebody get me some TP?  Please?  Anybody?

CUT TO:
INT. SKY TRAM -DAY
We see what the occupants of the tram are seeing: Kramer's rear end in a pair of tighty-whities that are proceeding to tear in half.  Once they do, the visuals are PIXELATED.  Kramer's butt keeps slapping against the glass.
LADY COMMUTER
Dear God!  That poor man's tuchus is geschwollen!
There is more or less pandemonium inside the tram car.  A gust of wind sends it swinging and Kramer, clutching his belt and his overcoat (which is still stuck in the door) bounces into the void and returns, now his front side, pressed against the glass.
LADY COMMUTER
Oy gevalt!  (Through the glass, to Kramer)  Mister, we can see your schvantz!
CUT TO :
EXT. TRAM CAR -DAY
Kramer tries to cover his schvantz with the shopping bag, loses control of it and the woodpecker falls out.  The wind takes the woodpecker, it's wings now spread, and sends it sweeping over the Eastside skyline.
CUT TO:
INT. SKY TRAM -DAY
JERRY
(To Lady Commuter)  Do you think he's in the eighty-ninth percentile?
LADY COMMUTER
(Puts on her readers) More or less...
CUT TO:
INT. JERRY'S APARTMENT -DAY
TWO WEEKS LATER
Jerry is at the kitchen counter, making a sandwich.  George and Elaine are at the table, where the latter has a Big Salad in front of her.
JERRY
So, at least you got a peek at Newman, right?  Tell me again, is he wrapped or unwrapped?
ELAINE
I don't want to talk about that anymore Jerry!  Please, just let me enjoy my Big Naked Salad in peace.
GEORGE
(Lowers the newspaper he's reading)  What happened to your unsalad?
ELAINE
I got tired of those; besides, a naked salad is better for you.
JERRY
And what, pray tell, is a "naked" salad?
ELAINE
It's a salad with just the greens.
GEORGE
No dressing?  No croutons?  No crackers?
ELAINE
Nope.
GEORGE
So it's raw?
ELAINE
All salads are "raw" George.  Nobody "cooks" a salad--(noticing something in the paper) Let me see that--(she grabs paper)  Oh, now this is interesting--(reads)--"Several bird-watching Manhattanites recently reported that an Ivory Billed woodpecker was seen flying over Lexington Avenue.  Eminent ornithologist Marry-hem...Merry-umm? Mermiam?
GEORGE
(Enunciating) Mahre-eee-uhmm...
JERRY
(Enunciating) Mah-Rye-ohm...
ELAINE
Whatever--"...Nutall when reached for comment, explained that the odds of the bird being an actual Ivory Billed were two point two trillion to one, as the bird is now thought to be extinct--"  Wow, two point two trillion!  
JERRY
Yeah.  Wow.
GEORGE
Wow. Wow doesn't cover it.
The phone rings and Jerry answers it.
JERRY
Hello?  Oh, hi Mom!
CUT TO:
EXT. FLORIDA BEACH -DAY
MR. AND MRS. SEINFELD are walking down the beach.  Several seagulls fly above them, squawking.
MRS. SEINFELD
Your father and I are at the beach.  We're actually calling from the beach!  Your father won one of these newfangled "cell" phone things in a raffle.
JERRY
Oh, that's nice.
MRS. SEINFELD
So is Kramer out of the hospital yet?
JERRY
No...
MRS. SEINFELD
Why not?
JERRY
Well, once the seventy-two hour observation was over, Kramer decided to stay for a while.  He says he's made some interesting new friends.
MRS. SEINFELD
Well, Bellevue or not, they couldn't be any crazier than you, George and Elaine!
JERRY
From your lips, Ma.
MRS. SEINFELD
Well, I just wanted to check in.  Your father and I are going out for dinner.  Jerry, have you ever heard of an unsalad?
(The Seinfelds proceed down a boardwalk.  Mr. Seinfeld notices something and tries to get Mrs. Seinfeld's attention).  What Morty?  Stop bothering me!  Can't you see I'm on the phone?
MR. SEINFELD
What kind of seagull was that?
JERRY
What's he saying?
MRS. SEINFELD
Who knows?  Something about a bird...
They continue walking and the camera pans a row of seagulls sitting on the railing.  The camera comes to an abrupt stop, PANS back and ZOOMS in on the Ivory Billed woodpecker specimen.
OUT
TAG
INT. BELLEVUE HOSPITAL COMMON ROOM -DAY
Kramer, in a bathrobe and pajamas, lights his cigar.  He's sitting with a group of similarly attired PATIENTS.  He raises a remote.
KRAMER
I wonder what's going on in Pine Valley today.  I hope Erica bounces back from that head trauma!
He puffs his cigar, clicks on the TV.  Freeze frame.
ROLL CREDITS
END
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CFR  7/21/23
0 Comments

News and Notes

7/21/2023

0 Comments

 
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So, just to keep you abreast of some of things going on at Christopher F. Reidy .com:
My screenplay, HEARTFIGHT is 90% done; and I have to say, I'm a little shocked.  It's already pushing the 190 page mark.  I had no idea I had written that much.  I mean, I could sense that it was going to be on the longer side (that's what she/he/they said!); but I would never have thought that long.  Which actually, brings us to an issue I think that, lately, needs some addressing.  The rule for scriptwriters is generally thus (regarding length).  No more than 90 to  120 pages.  Now who made this rule?  I don't know.  But, the thinking is that one script page, written in the standard screenplay format (Courier font, 12pt. type size) equals one minute of screen time.  So, 90 pages gives you a movie that's an hour and a half long. 120 pages: a two hour movie.  Generally comedies are going to be shorter, dramas longer.  But nowadays, movies are clocking in at two hours. Two and a half hours. Three hours.  Three hours plus.  It's common for everything from action to fantasy to drama.  Comedies still seem to run at more reasonable times.  All this to say that films are longer now.  So does that 90 to 120 rule still stand?  Apparently it does; for newbies and nobodies; because script readers don't want to read looooonnnng scripts.  But long scripts are still written.  For example, the latest Mission: Impossible.  I read somewhere that the first cut of "Part 1" ran like four hours.  It's current run time is 2 hours and 43 minutes.  For the first half.  How long is the second half?  How many pages was the script for parts one and two together?
HEARTFIGHT is pushing into three-hour territory at this point.  But as I said, not unusual for 2023.  Perhaps HEARTFIGHT, if it ever were to be produced could be split into a Part 1 and Part 2.  Or, perhaps it would be better suited to a limited run TV series.  Perhaps I could publish it in its current form.  How about a new form?  The Screenovel?  Gotta have a gimmick!  In any event, I will post the screenplay on a blog here, in its entirety after the WGA strike is settled (and I get it registered with them).
My thinking is that yes, a screenplay should probably not be longer than 120 pages.  As I was writing it in a different format, font and type-size and giving side notes and visual material, it was difficult to gauge how much I was producing.  If you're doing it directly into a Word document  in the proper format, you get more of a sense of the length.  How to gauge it and so on.  Interestingly, I wrote my sitcom pilot CHEESEHEADS the same way and that came out much closer to the typical parameters of that format.
As to the blogs...
I owe you one about Flashdance, the movie.  One I started and never finished.  Also, the conclusion of my Art Therapy blog where I transformed a piece of mass produced piece of art into a post-modern update.  That painting is also 90 percent finished.  I promise I'll get to those next!
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CFR  7/21/23
0 Comments

Steeeeeeeeeriiiiike Two!

7/20/2023

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I don't know what Robin Williams has to do with this; but during these trying times, especially with the entertainment industry strikes, I'd like to think of him smiling beneficently down from Heaven sending those hippy-hipster vibes that all will be well...
But will it?
Have you heard of the Enneagram? It seems to be very popular now.  I was into it like thirty years ago, via my friend Bob.  I call Bob, "The Guru."  He's quite a fascinating person.  Looks a bit like Dick Cavett .  I have a really great picture of Bob from back in the day; but I can't find it.  He got hit by a car in Boston and his physical rehabilitation was an ongoing issue for him when I first met him in the 80's.  It was something of an obsession that led to a very successful career in "stretching."  Oh, heck, let's just let Bob explain it:
Whenever I would visit Boston and go out; I'd inevitably run into Bob.  Not so much anymore as there's practically no gay places to go in Boston nowadays.  Bob was/is one of those people who thread through my life for whatever reason.  I remember our first meeting.  It was the wee hours of the morning on the Esplanade.  Bob was sitting on a bench along the Charles river and he was crying.  I sat next to him and asked if he was okay.  He explained that a good friend had died that day of AIDS.  It was a bonding moment, if there ever was one.  Bob was the person that brought the Enneagram to my attention.  The go to book back then was by Helen Palmer.
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In a nutshell, the Enneagram tells us that there are nine distinct personalities for human beings.  Those are:

(Ms. Palmer's Names for the types):
1. The Perfectionist
2. The Giver
3. The Performer
4. The Tragic Romantic
5. The Observer
6. The Devil's Advocate
​7. The Epicure
8. The Boss
9. The Mediator

So, to figure out your "type"; you have to read through them all.  You'll pretty much figure out which one you are by a series of "A-ha!" moments.  Bob informed me he was a 7.  When I read the book and got to the 9th type I was startled. Ms. Palmer could've been talking about me.  So I am a 9: The Mediator.  So, a lot of other people have entered this field and put out books and have given the types their (meaning the authors) own names.  Like nowadays, my type seems to have been renamed: The Peacekeeper.
Actually, I'm not quite sure what has got me on this topic....there's sure to be a lot of digressing if not downright rambling in this blog...but whatever.  You can do a websearch and ask: "What celebrities are a 7 on the Enneagram?" or "What Enneagram type was Robin Williams?"  It will tell you.  In fact, like Bob Cooley, Robin was a 7, according to webland.  But how does webland know that?  Wouldn't it be up to Robin Williams to figure out what type he was and then make it public?  Who knows, maybe he did; but I doubt it.  I'm going to ask the computer to give me a list of Type 9 celebrities...please hold...
So, Walt Disney keeps coming up.  And Abraham Lincoln. And Audrey Hepburn.  I can see Abe and Audrey; but Disney?
​He was a pretty cut-throat business man, so, ah, I don't think so.  Clint Eastwood?  Didn't he try and destroy his own girlfriend, Sondra Locke?  Yeah, he did.  Peacemaker...I don't think so.  Now, I think Robin Williams was probably a 9; he seems to have many of the attributes.  So, I guess I'm saying it's up to the individual to figure out what type they are and for them to make it public, if they so wish.
OH!  I remember what this was supposed to be about!  The WGA strike and the SAG-AFTRA strike.  You see, I was feeling somewhat guilty that I was writing at all during this time.  I asked myself: "Gee, Chris; maybe you shouldn't be writing at all in order to show your support for the writing community.  Particularly a screenplay!"
And then I answered myself: "But gee, Chris, even though you've registered work with the WGA, you're not actually a card-carrying member of the Guild.  And you certainly don't have a SAG card, why should you care?"
You see, I had seen this article on the web asking the question: "Gee, can I still write fan-fiction and do cos-play during the strike; or should I not, in order to show my solidarity?"  Yes, this was an actual question.  The upshot was that, no, if you're not in the guild, you are not scabbing by being a dork.
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Which brings us to the question of "support."  As you know, if you read here with any frequency, I'm of the opinion that my work has been appropriated in numerous ways by other writers.  I ask, what kind of support is that?  And why should I support that kind of support?  Short answer: I shouldn't.
So, in any event...I will not be working here any longer on my screenplay HEARTFIGHT or any fan-fiction stuff like "Looking For Mr. Goodwill," my fan-fiction sequel to "Good Will Hunting."  At least until the WGA strike is over.
​So what does this all boil down to?
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One word: Megayacht.
Or is that two words?
Yeah, so this is what it's all about.  These gazilllionaires all want gigantic boats.  These boats are very expensive.  How to afford them?  Well, in the case of the entertainment industry, I'm thinking the thinking is: "Hey guys, lets use computers to write scripts and deep-fake actors and we won't have to pay anyone anything and keep all that money for ourselves so we can hang out on our yachts and buy ourselves space-rockets because we can't sustain erections anymore!"
Yeah, I think that really sums it up.
So, I'll play you out on one of my favorite "yacht rock" tunes.
Take it away Starbuck!
Starbuck looks like he'd have no trouble sustaining an erection. His own or anyone else's.  Just sayin'!

​CFR 7/21/23
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HEARTFIGHT: A Screenplay / Pt. 14

7/8/2023

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So, we're getting ever closer to the finale of our little tale of love, fighting and fighting for love.  Here's an interesting thing I've been meaning to mention.  As you may know, Mr. Tom Hanks' most recent film was "A Man Called Otto."  I saw the movie, well after I started this screenplay.  I had seen the original Swedish film but had forgotten that Ove, as he is called in that version, died of an enlarged heart.  In Mr. Hanks' version, they named the disease "hypertrophic cardiomyopathy" which is what Henry suffers from in this story.  I just thought it was a really strange, super-specific coincidence.  And it's Tom again.  Go away Tom Hanks!  Get out of my head Tom Hanks!  Run Thomas! Run!
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Coolest shoe, evah.

CUT TO:
INT. HENRY AND DANNY'S APT. -DAY
Danny, Henry and Paddy file in to the apartment.
DANNY
Gran?
GRAN
(O/S)  I'm in the bedroom!
HENRY
I'll get her. (To Paddy) Make yourself comfortable...
DANNY
The sofa is really nice.
PADDY
(Sitting)  I want to talk to you alone.  Meet me tonight at the Old Mitre, nine o'clock--
DANNY
What's this about?
Paddy doesn't reply.  He stands as Henry ushers Gran into the room.
GRAN
I was hanging curtains!
HENRY
Gran, this is Paddy--
Paddy holds out his hand to shake.  Gran SCOFFS and jubilantly throws her arms around him.
GRAN
I'm Mary Murphy, Paddy; but you can call me Gran!
PADDY
Good to meet you...Gran.
Gran steps back and takes him in.
GRAN
Now aren't you a specimen?  And it's Paddy...what, now?
PADDY
O'Riada.
GRAN
(To Henry) Not that O'Riada?  (Henry nods).  I'm confused.  I taught you two were being pitted against one another?
PADDY
They flipped the script on us, Gran.
HENRY
Yeah, we're a team now.
GRAN
Danny manages to keep me quite ill informed.
DANNY
Oh, I told you about that--
GRAN
You most certainly did not.  Are you boys hungry?  I made stew.
PADDY
Irish stew?
GRAN
I did, sure and begorrah!  
PADDY
How could I say no to that?
GRAN
Well, you couldn't and you can't.  Now I want to know everything and all about you.
PADDY
No you don't.
GRAN
​I told you I'm not taking "no" for an answer!
She bustles over to the kitchen area and goes to the fridge.  Henry smiles at Paddy.
HENRY
You realize you're going to get an earful about curtains, right?
PADDY
I'm an expert on curtains.
HENRY
Are you?
PADDY
Hey, I like a nice window treatment as much as the next fellah.
HENRY
Get out!
PADDY
I'm serious...
They head to the kitchen as we...
​FADE OUT
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CUT TO:
INT. YE OLDE MITRE PUB -NIGHT.
Danny is sitting in a corner near a window, sipping a pint.  He looks up at the clock, which is just hitting 9.  He sees Paddy through the window, enter the pub.  Paddy sits at the table.
DANNY
What are you drinking?
PADDY
Nothing for me.  This is gonna be quick.
DANNY
All right. I'm listening.
PADDY
Danny, one thing you should know about me is that I'm prone to holding grudges. It's neither here nor there; it's just in my nature.  You seem to want my absolution for what you did.
​DANNY
I do.  I've told you I like you.  And I want the same.  Despite the way I am; I'm really, actually a pretty good person.
PADDY
Well there's one way to get it.
DANNY
How?
PADDY
Tell me what's going on with Henry.
DANNY
That's what got me into trouble in the first place.
PADDY
So?
DANNY
Nothings going on with him.  He's happy.  He's the happiest I've ever seen him in his life and I think that's because of you.
PADDY
I'm not talking about that.
DANNY
Well, then, what are you talking about?
PADDY
I saw the look in your eyes at the tower today.  What is it?
DANNY
He's told me to stay out of his personal life.
PADDY
Fine. 
Paddy stands and starts to leave.
DANNY
Wait.
Paddy sits back down.  Danny takes a long swig of his ale.
DANNY
It's his heart. It's called hypertrophic cardiomyopathy.  It runs in our family...
PADDY
How serious is it?
DANNY
It's hard to say--
PADDY
What do you mean "it's hard to say"?  Because it sounds pretty fucking serious to me.
DANNY
I'll be blunt.  He could drop dead tomorrow of complete and total heart failure--
PADDY
(Puts his hand to his brow) Oh dear God.
DANNY
​But he could also live to be ninety-three.
PADDY
Are there treatments?  Surgeries? Drugs?
DANNY
Yes; but thus far he's not been in need of it...please don't tell him I told you any of this.
After a strange pause, Paddy grabs Henry's face and kisses him like he's Fredo Corleone.  He lets go and Danny leans back, thunderstruck.
PADDY
I think I'll have that drink after all.  You want another?
DANNY
(Completely flustered and confused) Ah, yeh, sure and I do.
PADDY
By the way, make sure you give my compliments to your Gran again!  That was the best stew I've ever had!
Paddy gets up and goes to the bar.  Danny touches his lips.
DANNY
(Quietly to himself as he  looks at his reflection in the window glass) I just might be future brother-in-law to the goddamn Godfather...
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Okay, so, I'm literally going to cut to the chase now.  Our next scene is the first public Lani-Batali match.  Tag team, between Henry and Paddy and Magnus and Orca.  Now, as I haven't fully developed the mechanics of this sport, I'm going to put the scene on the back-burner; or rather, most of the scene.  I will write the climax of the scene, in which Henry receives a blow to the chest and his heart stops.  Now, I said I wouldn't kill off any of the characters in this story; but now, I'm not so sure.  Sometimes you have to follow the "truth" of the story and that truth may be that somebody dies.  But then again, maybe not.  And when I get to the point where Henry is in harm's way, I'm going to stop writing.  You see, you're going to get a big Season Finale Cliffhanger to keep you hanging on until you see how this resolves.  Why?  Well, I need to type up the bulk of this in proper format so that I can send it to the WGAW and get it registered.
For all I know, somebody out there might be typing this up for themselves to try and lay claim to it.  Sad to say it; but we all know it's true, now don't we?


FADE FROM BLACK
INT. WIND CHAMBER -NIGHT
...Paddy stretches his hand to try and tag Henry.  Paddy's fingers just miss as an upgust hurtles Henry towards the ceiling.  Magnus, who is hovering above, delivers a blow to Henry's back with the paddle end of the tao stick.  At the same time, Orca is shooting upward with the ball end of the tao stick at chest level.  As he nears Henry, he thrusts the stick upwards.  But Henry is coming too fast and takes a direct hit to his chest.  The scoreboards BUZZES.  The camera CLOSES on Henry's face, now twisted in pain.  His eyelids flutter. He lets go of his stick and starts tumbling randomly in the air.  Orca and Magnus come to his aid.
CUT TO:
INT. WIND CHAMBER PLATFORM -NIGHT
Paddy leaps into the chamber and goes to the other three.  The crowd begins to realize that something is terribly wrong.
CUT TO:
​INT. WIND CHAMBER CONTROL ROOM -NIGHT
Cupe and Roddy are observing.
CUPE
Dad, somethings wrong--
RODDY
(To Chris) Bring them down!
Chris turns to the console.
CUT TO:
INT. AUDITORIUM -NIGHT
We see the four men in the chamber descend to the bottom.  Cupe rushes in and kneels next to Henry.
CUPE
What happened?
ORCA
He blacked out.
HENRY
I'm not getting a pulse!
CUPE
We've got to get him to a hard surface...
They pick up Henry and bring him out of the chamber and lay him on the metal grating.  Cupe kneels over Henry and starts CPR.  He checks Henry's airway and starts chest compressions.  He pinches Herny's nose and delivers two rescue breaths.  Nothing.  He starts compressions again.
RODDY
Where the fuck is my fucking medical team?
Cupe looks at Paddy who returns a beseeching look.
PADDY
Please Cupe...Frankie...please...
ORCA
It was an accident--
Cupe continues the CPR: 30 compressions, two rescue breaths; but Henry remains unresponsive.  Finally, after what seems an eternity, two EMTs bound up the stairs with a defibrillator or AED. They cut Henry out of his suit. As the EMTs place the pads, Cupe continues his exertions.  
EMT #1
Everyone clear!
The machine emits a BEEP and shocks Henry.  Paddy looks on helplessly.  He crosses himself and starts praying.
TO BE CONTINUED!
Okay, so that's all for now.  I will return to finish this hopefully soon.  It all depends on how fast I can transcribe a script.  So keep visiting Christopher F. Reidy.com to find out what happens in HEARTFIGHT!  I will still be providing you with other blogs and so on.
Ciao for now!
Chris

​
CFR 7/9/23
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Playing Gay: Gay for Pay: Gay Today; Gone Tomorrow

7/6/2023

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Stanley Tucci says it's okay for straight actors to play gay characters!  And I couldn't agree more!!!
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But wait a second...was this character supposed to be gay?

There's also the sentiment out there nowadays that only gay actors should play gay characters. Mr. Tucci argues that the whole point of acting is to bring different kinds of people to life; and again, I couldn't agree more.  But here's the thing I think Mr. Tucci is forgetting: there are no gay actors.
What's that Chris?  What do you mean "there are no gay actors"?  Are you kidding?  Acting has to be one of the gayest professions there is (are?).  Why, there must be hundreds, if not thousands of gay actors.  It's kind of their thing!
Well of course there are gay actors. 
There just aren't many openly gay actors.  Why?  Well, for pretty much the last 125 years gay actors have been forced to hide the fact that they're gay...and if they didn't, it was often career suicide.  That career being killed not by the public...but by the entertainment industry.  How many of our current capital S, A-List movie and TV stars are gay?  Well, there's no factual evidence on this topic.  We can really only guess.  But I'm guessing there are way more then anyone thinks.  But the majority are "straight," right?  Right.
And if on the other side of the coin, that "only gay actors should play gay roles"; where are all these gay actors?  They're still stuck in ​​closets in the greater L.A. and tri-state areas.  Why?  Well, because they still have to be.  For all this talk of inclusion and acceptance, the "industry" still puts queerness under a blanket.
So, where is this pool of gay actors to play these gay roles?  I mean, Jodie Foster, Kevin Spacey, Nathan Lane and Neil Patrick Harris can't be in every gay role (or maybe they could, there are so few).
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Yes...?  No...?  Maybe...?  No.  Maybe.  Yes.

I'm losing my train of thought here a little, but I think that's to be expected.  Because this whole issue is so much pretzel logic.  So, Mr. Tucci says that it's okay for straight actors to play gay roles.  Check.  Tom Hanks says you couldn't make "Philadelphia" today without a gay actor in the role. Check. But entertainment industry history tells us that being gay is wrong and you can't be gay and be a Big Movie Star.  And these two sentiments are coming from two heterosexual actors.  So what to make of this?  Is there a term "straight privilege"?  If there isn't...then DIBS.  Straight Privilege (Copyright/TM/Pat-Pend).  I mean, Tom got an Oscar for playing gay and Stanley has received some nice paychecks for playing gay.  I'm sorry, Tom and Stanley...I love you both (Stanley, I so want to rub your head.  Tom, I so want to smell you!) But I really can't help but be confused by these comments.
Stanley, I agree...it's okay for straight actors to play gay characters; but I'm confused, you see, because for so long it's been wrong to be gay in Hollywood, so at some point in history, even a gay actor couldn't play a gay role if they were openly gay.
And Tom...where are we going to find all these A-list gay actors to play roles on the level of say...the character you played in "Philadelphia," for which you won an Oscar (TM/Registered/Pat-Pend)?
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Robert Reed was gay.  He was also in the closet.  But in Hollywood, it was an open secret that he was gay.  He played Mike Brady on the Brady Bunch.  He is, arguably, "America's Dad" (or at least one of America's Favorite Dads).  He died of AIDS.  If he had been openly gay in 1969, do you think he would've been hired as Mike Brady?  Not a shot in hell.  But America still loves him.  Knows he was gay and doesn't care.  Watches a Brady Bunch re-run for the zillionth time and could care less that he loved men.  Not even thinking about that when watching him do architecture stuff and dispensing fraternal wisdom.
But this idea that audiences will reject actors they know are gay, still persists.
I'm still not sure what I'm trying to say here.
Let me just wrap this up by saying this.  I think that roles should be cast based on the actor's "rightness" for the role.  That rightness having nothing to do with anything else about them. 
I mean, Nathan Lane is currently playing a character on Only Murders In the Building who is straight.  Yet I know Nathan is gay.  Does that change my perception of the character or of Nathan Lane?  No.  So I guess I do agree with Mr. Tucci.
But then, maybe I don't.
And if Stanley wants some pointers on being gay for his next project, I'd be more than happy to help.  And if he wants to prepare some mazzafegati for me, who am I to say no?  Call me!
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CFR   7/6/23
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    AUTHOR
    Christopher Reidy is from the Boston area.  He attended Boston University where he studied TV and film which eventually led him to Los Angeles.  There he did the Hollywood thing (which he wasn’t particularly good at) and eventually met his partner Joseph.  He was one of the co-founders of the short lived Off Hollywood Theatre Company which staged several of his original plays.  83 In the Shade is his first novel.  He also dabbles in screenplays, toys with short stories, and flirts with poetry.  Life brought him to bucolic Southwest Virginia where he now resides and is very active in community theatre. It may interest you to know Chris is officially an Irish citizen as well as an American. He also enjoys drawing and painting and looking after a passel of 
    ​
    housecats and two turtles.